LE VOYAGEUR AUX MILLE TOURS LES RUSES DE L’ÉCRITURE DU MONDE À LA RENAISSANCE

The textual dimension of Renaissance travelogues is often overlooked. This study reveals the unexpected subtlety of the writing strategies at work in such narrations. They dictate an ‘Odyssean’ mode of reading, which should be topographic, attentive to the letter and slow so as to counteract the ambient agitation.

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